Temporally Enhanced
THE WET NEST OF ADDERALL CANYONLY
18:22 “Lucid In A Wasted Way” almost done…coming to a future record store
07:46 beachsloth:

Adderall Canyonly - Excelsius Minor 8.1

                Adderall Canyonly induces panic. Throughout ‘Excelsius Minor’ there is the convergence of loud synthesizer squeals with depressive aspects of post-rock. For these post-rock aspects Adderall Canyonly references the stationary hopelessness of ‘A Silver Mt. Zion’ than any other band. Elements of that group come into play over the duration of the album. In fact even elements of almost-noise come from the synthesizer further adding to this level of woe and dread. By letting the album follow this arc from panic into a far more comfortable mood at the end Adderall Canyonly creates a strange wordless narrative for the sounds. 
                ‘I’ll Be Your Hands’ has a cryptic noir vibe to it with a slow moving bass. Little fragments of dread make their way through the groove by the end. For one of the album’s highlights ‘Excelsius Minor’ things take a dramatically different approach. In the first half the electronics appears confused by what is going on only to be shifted into shape around the halfway point. By the end the terrifying oscillation takes over everything with absolute anxiety. Guitars appear again on ‘Song For A Broken Rhodes’ which has a jazz-like vibe. It remains one of the quieter pieces on here. ‘Hagatha’ the other album highlight starts off with a barely audible beginning before evolving into one of the saddest pieces halfway through the track. 
                Thankfully ‘Atlas Cloud’ ends everything on a happy note. Exploring the sadder weirder elements in the beginning it moves onward. Sadder elements are defeated leading to a sense of comfort by the very end. ‘Excelsius Minor’ is a moving, oftentimes jarring, and always interesting album.
13:39
23:36 wandrlust:

Japanese Poster for Alien (Ridley Scott, 1979)
22:56 thenewobjective:

Adderall Canyonly ~ Four Albums

Portland’s Adderall Canyonly (Wayne Longer) sent us two new albums to review, but when we saw that…

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22:53
22:52

beachsloth:

‘From Below We Reach Above’ shows Adderall Canyonly at its freest. Alternating between calm and chaos, Adderall Canyonly manages to combine the two into a fulfilling little album. Parts of this are completely happy, almost sunny in scope. Other aspects veer into strange Spectrum Spools sort of…

15:43

…“beatmatching” isnt even a fucking skill as far as im concered anyway. so what, you can count to 4. cool. i had that skill down when i was 3, so dont give me that argument please.”

23:23 BEA ARTHUR
22:20 dreamend:

Something about this day sheet is offensive.
22:18
16:14 Cover of the album “Between The Rays Lies Fear But Also Joy” out June on Jehu & Chinaman
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